Scanning the Folkton Drums


Photo: Andrew Cochrane

I am currently working on a project looking at the art of portable Neolithic artefacts from Britain and Ireland. One of the remarkable findings so far is the degree to which markings on these artefacts have been erased and reworked. This is especially true of chalk artefacts. These processes of reworking provide important information about craft techniques, and the significance of art and imagery in this period of prehistory.

To test these observations it was important to analyse the most spectacular chalk artefacts from the British Neolithic – the Folkton Drums.  By special request the ‘drums’ – carved cylinders of chalk from Neolithic Yorkshire – were removed from display in the British Museum for an intensive day of analysis. So on 4th April a group of researchers from Archaeology University of Southampton (Marta Diaz Guardamino Uribe, Lena Kotoula, Andrew Meirion Jones) and Cardiff University (Andrew Cochrane), Winchester School of Art (Ian Dawson and Chris Carter) and Central St. Martins Art School, London (Louisa Minkin), recorded the ‘drums’ using a hand-held laser scanner and using RTI (Reflectance Transformation Imaging).


Photo: Andrew Cochrane

Both techniques were used to analyse trace evidence of reworking or recarving. The techniques we used take some time to process so we will not know the results for a few weeks, though preliminary results look pretty amazing (updates to follow). On the day we also had lots of opportunity for detailed analysis of the three Folkton Drums, and learnt a great deal more about the variety of different techniques used to carve them. The ‘drums’ are one of a select group of Neolithic artefacts with representational features – they have faces – and by the end of the day all of us had become captivated by them.

Dr A